Statement

Victor Ketom works at the meeting point of organic life and technological systems, asking whether nature and technology are destined for conflict or capable of co-evolution.

Industrial materials are handled as ritual ones. Ornamental forms hold cold digital cores. Leather, timber, python skin and felted wool meet aramid fibre, silicone, salvaged circuit boards and electronic components.

The work is not designed to function, but to feel. These are post-digital relics: circuitry dressed in silence. Touch is the protocol. The surface is a record of restraint.

Synthetic nature grows from circuits. Baroque frames hold cold digital cores, folding past and future into one surface. Are we shaping a world where technology and nature evolve together, or witnessing the slow erasure of one by the other?

Borders are human. Art is between.